List of Works 

List of Works by Instrumentation

Large Chamber Ensemble with Voice or Spoken Word 

Concert for the Trees, (2022) for soprano and baritone voices,  fl, cl, vl, vc, cb, p  6:00 

Nimbus, (2019) for electroacoustic chamber ensemble, (fl, cl, vl, vc, cb, p, vib, drums/cymbals, soprano voice, spoken word and live audio; poetry by Colette Inez 16:00 

Silence, (2004) for percussion ensemble and spoken word:  conga, low hand drums, marimba, orchestral bells, 4-part male spoken word and fixed audio or synth 7:55

Small Chamber Ensemble with Voice or Spoken Word (1-4 players)  

Nightingale, –scroll down to listen (2016) for small SATB choir, flute, violin, cello, bass spatially arranged in a “hollow square”as in Sacred Harp singing. 6:32

Mirror, (2013) for piano, violin, spoken word; poetry by Colette Inez  5:31

Secrets Speak for SSA Choir and piano. Poetry by Rumi and Mark McMullen 6:00

Large Chamber Ensemble with Electronics (5-10 players)

Likeness (2023) for fl, cl, vl, vc, cb,vib, p, fixed audio. Video by Also Sisters available for performances.

Small Chamber Ensemble with Electronics or Synthesizer (3-4 players) 

The Cellar Door, click link and scroll down to hear premiere by Jenny Lin/Tobias Werner  (2016)  for piano, cello, 4-channel fixed audio 7:54 

Girl, Walking, (2014) for electric guitar, flute, bass and found percussion 13:00

No Matter Where* (2010) for clarinet, violin, piano and fixed audio  8:24 

Unhinge (2007)  for flute, two violins, synthesizer 7:24

Train (2007) for two marimbas and synthesizer  5:18

Those Who Last  (2007) for spoken word (poem by M Magnus), marimba, trumpet, synth-bass, electronics  5:04

L'infini (2007) for flute, clarinet, two violins  8:26

Large Chamber Ensemble (5-10 players) 

Bloody Mary* (2010) fl, cl, vc, cb, marimba, timpani, piano, electric gtr, assorted perc/found objects 9:08 

Infiltration of Memory (2010) fl, cl, vc, mar, assorted perc/found objects 10:28

Big Skate*  (2007) for flute, clarinet, two violins (one electric, one acoustic), acoustic guitar, cajon, metal chimes  6:56  Please ask for the REVISED version. 

Electroacoustic/Electronic with Live Voices 

GASP, (2022) for four SATB voices and multichannel fixed audio. Stereo version available; original video by Edgar Endress available for performance  4:29

Media Vomit, (2014) for live opera singer (any range; any repertoire), percussionist, and electronic audio with video by Edgar Endress available for performance 3:01

Electronic

the inner landscape of a cabin in the woods, (2021) for fixed audio (with improvised electric guitar)  6:20 

GASP, (2022) for recorded choir  and multichannel fixed audio. Stereo version available; original video by Edgar Endress available for performance  4:29

Econocide, (2009) Electronic from the album Screaming at the Economy with media artist Edgar Endress

Liebe Mich, Befrei Mich (2007) Electronic (Concert on Totalitarianism/Berlin)

Skating Still scroll to bottom of page to listen! (2006) Electronic  :60 seconds (60x60 Project) 

Solo Instrument with Electronics 

We Meet Ourselves, (2016) for prepared marimba and triggered audio. Written for and premiered by Scott Deal 10:15

Duos

hOles in the wall  (2010) for two toy pianos 2:40

Parallels, (2011) for cello and music box instrument 3:54

Crossover: Modern Classical/Jazz

Carol Broke a Dish  (2005) cl, vln, jazz tenor sax, electric gtr, electric 5-str bass, doumbek, goat toes and sampler 8:05

Sahara (2005) cl, piano, jazz tpt, Waldorf Q synth, cb, udu, doumbek, bamboo chimes  9:59

Purse Sized Bong (2005) cl, vln, synth, pno, electric 5-str bass, drum kit, metal Slinky 6:00 

Funding Support: 

Big Skate * Partially funded by a 2007 Composers Assistance Grant from the American Music Center

No Matter Where* Funded by a 2008 Subito Grant from the American Composers Forum

Bloody Mary* Partially Funded by a 2009 Composers Assistance Grant from the American Music Center

List of Premieres/Select Performances for Concert and Electronic Music.

5/7/2023 Likeness, for large chamber ensemble, Op-1 synth and fixed audio. Premiered at AnDieMusik, Baltimore, MD by Fuse Ensemble

4/22/2022 Concert for the Trees, for soprano and baritone voices and chamber ensemble. Premiered at Earth Day Art Model Telematic Festival 2022 at IUPUI, Tavel Center for Music Technology. performed live in the woods of Shenandoah

6/23/2022 GASP, for chamber choir and multichannel fixed audio. Premiered at New York City Electroacoustic Music Festival with video by Edgar Endress

4/22/2021 the inner landscape of a cabin in the woods, for fixed audio and improvised electric guitar. Premiered Earth Day Art Model Telematic Festival 2021at IUPUI’s Tavel Center for Music Technology Indianapolis, IN

04/05/2019 Nimbus, for electroacoustic chamber ensemble, voice, spoken word and live audio at Georgetown University Friday Music Series, Washington, D.C.

04/02/2016 Nightingale, for mixed choir, flute, violin, cello, bass at Highland United Methodist Church, Raleigh, North Carolina

06/06/2016 The Cellar Door, for piano, cello, 4-channel audio at the Abrams Arts Center Playhouse, New York, New York

06/05/2016 We Meet Ourselves, for prepared marimba and triggered audio, premiered by percussionist Scott Deal at the Firehouse Space, Brooklyn, NY

11/7/14 Girl, Walking, for electric guitar, flute, contrabass and found percussion, premiered by Fuse Ensemble at the Atlas Performing Arts Center, Washington, DC

11/7/14 Media Vomit, created for a video by Edgar Endress with live vocalist, percussionist, and electronic audio, premiered at the Atlas Performing Arts Center, Washington, DC with Scott Deal, percussion, Victoria Andreotti, vocal

10/25/13 Mirror, for piano, violin, spoken word (poetry by Colette Inez) performed by Fuse Ensemble at LiveWire4 new music festival, Baltimore, MD

10/25/13 The Cellar Door, for piano, cello and 4-channel audio, performed by Fuse Ensemble at LiveWire4 new music festival, Baltimore, MD

1/3/13 Mirror, for piano, violin, spoken word (poetry by Colette Inez) performed by Fuse Ensemble at the Kennedy Center Millennium Stage, Washington DC

1/3/13 The Cellar Door, for piano, cello and 4-channel audio, performed by Fuse Ensemble at the Kennedy Center Millennium Stage, Washington DC

6/16/12 Mirror, for piano, violin, spoken word (poetry by Colette Inez) premiered by Fuse Ensemble at the Firehouse Space, Brooklyn, NY

6/16/12 The Cellar Door, for piano, cello and 4-channel audio, performed by Fuse Ensemble at the Firehouse Space, Brooklyn, NY

10/16/11 Parallels, for cello and music box instrument, preformed by Fuse Ensemble at Andrea Clearfield’s Salon in Philadelphia, PA

4/17/11 The Cellar Door premiered by Verge Ensemble at the Corcoran Gallery of Art, Washington, DC

9/20/10 L’Usina Mekanica performed by Fuse Ensemble at 2010 Sonic Circuits DC L’Usina Mekanica includes the works Bloody Mary, Infiltration of Memory, hOles, Travelling Music

5/30/10 Skating Still performed in Order of MAgnitude 60X60 DANCE! at FoFA Gallery, Concordia University Montreal, Québec, Canada 

4/24/10 L’Usina Mekanica performed by Fuse Ensemble at Intermedia Festival, Indiana University L’Usina Mekanica includes the works Bloody Mary, Infiltration of Memory, hOles, Parallels, Travelling Music

3/28/10 Premiere of L’Usina Mekanica at American University’s Katzen Arts Center, Abramson Family Recital Hall. L’Usina Mekanica includes the works Bloody Mary*, Infiltration of Memory, hOles, Parallels, Travelling Music

05/06/09 Fuse Ensemble performed at the Kennedy Center's CrossCurrents contemporary music festival, premiering No Matter Where*, for piano, violin and electronics.

6/25/09 Econocide, electronic work premiered as part of Scream at the Economy. Commissioned by Floating Lab Collective, premiered at Nathan Cummings Gallery, New York, NY

05/08/09 Circulate was premiered at the Warehouse in DC at SoundScene 2009, The Human Body, an audio installation produced by the DC Listening Lounge.

04/22/09 Incidence was performed at the Torpedo Factory Art Center in Alexandria, VA by Jane Franklin Dance

3/21/09 Big Skate performed at the 8th Annual International Women’s Electroacoustic Listening Room Project (WEALR09) as part of the Annual New Music Festival at Cal State Fullerton

1/10/09 Incidence performed at Woolly Mammoth by Jane Franklin Dance

12/06/08 Incidence, and interactive dance/music program premiered at the Mead Theater Lab at Flashpoint in Washington DC

11/08/08 at Thomas Jefferson Community Theatre Arlington performance of Train by Jane Franklin Dance

4/16/08 Sound Walk excerpts performed by Jane Franklin Dance at The Torpedo Factory Arts Center, Alexandria, VA

4/5/08 Silence, electronic  Performed as part of Temporal Interference at the King Center, Auraria Campus, University of Colorado, Denver

4/3/08 Silence, electronic  Performed as part of Temporal Interference at “Foro Performatica” at Unversidad de las Americas at Puebla Mexico

3/1/08 Sound Walk, commissioned and performed by Jane Franklin Dance, Premiered at the Schlesinger Center, Alexandria, VA

03/01/08 Train, performed by Splash Ensemble at the Schlesinger Center, Alexandria, VA in collaboration with Jane Franklin Dance

7/30/07 Skating Still Ruth S. Harley "University Center" Ballroom Adelphi University Long Island, NY

6/15/07 Liebe Mich, Befrei Mich premiered at a concert on Oppression and Totalitarianism at A•Devantgarde festival Königsplatz München und Hochschule für Musik und Theater, Munich, Germany

6/10/07 Skating Still Amadeus Centre, London, England

6/9/07 Skating Still San Francisco Community Music Center, San Francisco, California

6/7/07 Skating Still "Theatersaal" of the University Bremen, Bremen, Germany

5/15/07 In Hiding Commissioned and Choreographed by Jane Franklin Dance Performed by Jane Franklin Dance at the Kennedy Center Millennium Stage

4/21/07 Skating Still Organized by the Oberlin Conservatory of Music, Fairchild Chapel, Oberlin, Ohio

4/21/07 In Hiding Commissioned and Choreographed by Jane Franklin Dance, Premiered at Gunston Theater, Arlington, VA

2/26/07 Skating Still (CEMI) University of North Texas, Denton, Texas

2/24/07 Silence, electronic, Premiered at The Warehouse Theater, Washington DC in collaboration with Jane Franklin Dance and Bryan Leister entitled Temporal Interference. 

10/28/07 Time Pieces, Premiere*, at the Kreeger Auditorium of the Gildenhorn/Speisman Center for the Arts at the JCCGW in Rockville, MD by SPLASH Ensemble. Time Pieces include the works:  

Unhinge for flute, two violins, synthesizer

Big Skate for guitar, two violins, flute, clarinet, percussion

(those who last) for spoken word (Poem by M Magnus), marimba, trumpet, synthbass, electronics

Train for two marimbas and synthesizer

L'infini for flute, clarinet, two violins

Big Skate * Partially Funded by a 2007 Composers Assistance Grant from the American Music Center

No Matter Where* Funded by a 2008 Subito Grant from the American Composers Forum

Bloody Mary* Partially Funded by a 2009 Composers Assistance Grant from the American Music Center

SELECTED FILM SCORES:

2020 “Live Free Skate Hard” documentary original film score,

sound design, live sound recording, surround mix engineer

2020 “27 Children” Romanian independent documentary film score, sound mix

2018 “Superstar” independent film, surround mix engineer

2016 “Poetry Stalled” comedy short film, original film score

2015 “Condemned” original electronic film score

2014 “Bird Call” short film, original film score; premiered at Big Easy Film Festival, New Orleans, LA

For scores, please visit the Contact page.